About Sunset Rubdown Wolf Parade vocalist/keyboardist Spencer Krugs sideline project Sunset Rubdown, though sideline is probably the wrong word as in fact hes now released more LPs through this moniker then he has with Wolf Parade, is an outlet for his more experimental song writing and sounds collages. Dragonslayer sees Spencer assembling a fuller band sound this time round with backing vocal duties by former Pony Up! Camilla Wayne Ingr. Sounding somewhere between his more famous alter ego and at times The Walkmen and The Psychedelic Furs, this LP is full of interesting and creative moments that encapsulate a feeling of accomplishment and manages to show that he has more strings to his bow than we originally thought. Though it features only eight tracks, each one is like a mini opera that features numerous tempo and directional changes, going from all out indie rock to polka to quirky eighties left-field pop, a multitude of styles that never stray from being both highly engaging and entertaining. The songs verge on the descriptive and poetic, which paint pictures of love lost and gained through a modern day style fairy tales telling that uses a plethora of different animals as analogies, such as swans, nightingales and horses. Sometimes the storytelling moves towards the ambiguous, though its always delivered honestly and doesnt come across as pretentious, in fact its not a million miles away from At Mount Zoomer which also featured some literately reading up skills if you wanted to get the most out of it. Lets have a look at the tracks themselves starting with the opening track Silver Moons which has the lush piano tones of Tori Amis and the orchestration beauty of The Dears and Final Fantasy before Spencers semi- hysterical lyrics sweep in. The familiar tempo and step change just over half way through makes it pre-empt the listener, a trick repeated on most of the album. A glorious start to proceedings and already we have one of the stand out highlights. Idiot Heart is more like an attempt to strike a middle ground with a sound not too far from The Killers, but only if theyd come from Montreal rather then Vegas, a brave up-tempo drum rolling strike of a tune which conjures up the Editors for some reason, though in a good way. Quirky Apollo and the Buffalo and Anna Anna Anna oh! could be my favourite of all the tunes, as it has the most interesting melody and jerky chord structure like some eighties Lets Dance Bowie track or even Josef K. At times it even sounds like the vocals have the hint of The Psychedelic Furs about them. Camilla offers support as this song twists into a blissful classic, the two voices often working well together. The final strains of Anna Anna Anna oh! Strike up in the songs last two-minute outr refrain. Black Swan has a slightly disturbing edge to it that goes from sounding like Adam and the Ants to a full on maelstrom of activity which stops and starts all the way through before yet again the sea change near the end as it turns into a more interesting indie number. Side two begins with Paper Lace another interesting and goofier tune in which a Pavement like bass line proclaims a false start. The vocals reminded me of Gary Numan era Tubeway Army, more laid back until the tune builds to the exasperated cries of Stupid house you made it fell away like paper lace. You Go On Ahead has the sound of TapesnTapes jamming over Super Mario on the SNES, those crazy tones of old school gaming underpin a slow burner of an indie track. The electro continues, though this time with a much cooler sounding intro like something Warp would release, bringing in the next track Nightingale/December Song. A Levellers like folksy tune appears from the mire as the lyrics tell a story of escaping to Nashville. Some swirling Viennese like synths come in and add some esoteric strains wonderment. Closing epic Dragons Liar slowly builds up over 10 minutes creating a lush sound-scape as the vocals paint a eulogy that features some of the best lyrical work yet. With lines like Im sorry I was late, I went blind, I got confetti in my eyes and the chorus of Youre not a widower yet it can only get better, well thats what I think Im supposed to gain from this insight. Anyway a great track those just builds and builds ala kissing The Beehive off WP At Mount Zoomer, a joy to behold that just sounds better and better on further plays. A fitting end to a fine LP that leaves any Wolf Parade fans well and truly satisfied. All in all pretty much another great set of songs from one of Canadas finest, where he finds the time I dont know but Im glad he does. --Dominic Valvona ......[Read Less]